Source 3

The main argument of this article discusses the comparison between melodrama and the serial show Dallas. Unlike sitcoms or series like The Big Bang Theory, serial shows have a continuous plot line where each episode must be watched in one particular order. The book then continues to discuss what components of a show will draw in more viewers (e.g. show time) and how Dallas shares similar structures to a prime time soap opera (although isn't necessarily one) but overall, can definitely be defined as a melodrama. Ien Ang explains, "It is also sometimes said that melodrama is a failed tragedy: the plot is so exaggerated and overdone that the story becomes ridiculous and bereft of any credibility and sensibility" (480). However, that being said, people still continue to watch and follow the tragedies the characters endure. No regular viewer could endure such adversities in such a short period of time so the exaggerated plot just draws in the viewer even more. Overall, I would consider this source very useful because it explains melodrama perfectly and highlights the components of Dallas that make it a melodrama. Compared to the rest of my sources, I think this would be a great addition not only to expand my explanation of melodrama but also to explain why people are so intrigued and continue to watch them. I would consider this source reliable because it draws quotes from other sources and cites them throughout the essay but, I would not consider it biased. The book explains more of what Dallas is - from the plot and structure to character analyzation. With this useful source, I would be able to compliment my paragraph about why people watch reality tv as well as incorporating specific parts of melodrama and how they are relevant to Keeping up with the Kardashians.

The Moral Occult

Peter Brook's The Melodramatic Imagination, discusses melodrama and draws in useful references from various works. Perhaps the most interesting component he explains about melodrama is the "moral occult" or "...the domain of operative spiritual values which is both indicated within and masked by the surface of reality" (p. 5). In other words, the "moral occult" is best defined as contemplating between what's right and wrong or good and evil, however, this doesn't apply to just any topic. The "moral occult" pertains to what an individual perceives as what's morally right. Brook explains, "It bears comparison to unconscious mind, for it is a sphere of being where our most basic desires and interdictions lie..." (p. 5). It differentiates between what one wants and what prevents us from obtaining those desires.This is relevant to All that Heaven Allows that we discussed in class. Cary's "basic desire" is to marry Ron and live a low profile and simplistic life, however, it becomes near impossible because their relationship is not accepted by societal standards due to the difference in their social classes. Her children and the rest of the wealthy community view Ron as an inferior in Cary's life and now Cary must contemplate between choosing love and happiness (the good/what's right) or abiding to societal norms and living the rest of her life lonely and unhappy (the evil/what's wrong).